Jeroen wrote:
I didn't think these have intonation screws? On the Steinberger bridge, the saddles are only held in place by the grub screw that clamps them together from the side I think? On my Hohner B2A this screw was on the treble side and access to it was hindered a LOT by the control knobs (I had to remove the stacked EQ knobs to get to it with an Allen key). I'm pleased to see this Spirit has the screw on the low E side! When you move the low E saddle too far back, the grub screw will no longer clamp the saddles in place though. Is that what you meant?
Yep, there are no intonation screws. The string saddles are all free-floating. There is a little set screw on the side of the bridge that locks them in place. The trick to adjusting the intonation is to unlock the saddles, adjust the string saddle farthest away from the locking screw, lock the saddles, check the intonation and repeat as necessary until that string is intonated properly. Then, move on to the next string farthest from the locking screw, and so on. Be sure not to detune any strings that you have already adjusted the the intonation for while the saddles are unlocked because they can slide around on you.
I still have yet to decide if this bridge design is cheap, or clever and rugged due to its simplicity, or both.
pjmuck wrote:
It was the tuning screw at the back of the bridge. I couldn't tighten it any further, as it was maxed, so the bass couldn't tune up higher than D#. I found the same screw/thread size online but longer (I forget where, but I'll dig into my records if anyone needs the info), and I cut the screw down so that I had enough additional length to extend the tuner's ability further.
fivebass52 wrote:
I have a Hohner B2-A five-string, and have been having the same problem trying to tune the D and G strings up to pitch. I didn't realize until reading these comments that their is an allen screw that holds the bridge pieces in place once tuned. I'll try loosening the allen screw and see if that helps. However, if you could post where you bought those longer screws in case I need them, that would be appreciated.
This is interesting to me. Were you guys using double-ball strings or string adapter when you had this issue?
I had a B2AV, as well as a B2A, and now a Steinberger XL-2, and I have never had this issue. I had somewhat of the opposite issue with the B2AV: the B-string was up to pitch before the ball was all the way under the bridge. You can even see this is stock photos. It really isn't a problem, it just looks like of chintzy.
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Gilmourisgod wrote:
I never really "got" what a Rick is capable of until I ran it stereo a few times in my college band. We used to call it the "Piano of Doom". You get all the bottom and all the top in total a**kicking mode.