Yep! I had a B2AV and it was an awesome bass! I sold it in favor of a B2A, and it is also excellent!
I found the trick to adjusting the action and intonation to be to start with the string farthest away from the locking screw and work your way towards it. So, it would be:
1) Start with the string farthest away from the lock screw that you want to adjust and slacken the string.
2) Unlock the bridge saddles
3) Adjust the action and intonation. As Jeroen said, the other saddles will not move due to the downward force applied onto them by the strings.
4) Lock the bridge saddles
5) Re-tune the string
6) Check the action and intonation.
7) Repeat steps 1 through 6 as necessary.
8) Move to the next-farthest string from the lock screw and repeat.
It may sound like a lot of steps, but it is actually quite simple and goes quickly. I never could decide of the bridge design is for its simplicity, or chintzy.
But, I have no complaints.
I would recommend just getting double-ball strings.
Headlessusa.com sells string adapters and they are great to do business with, but I have found that to get them to work properly with bass strings, you need to pull off the windings of the E and A strings, maybe even the D, so that the adapter screw can clamp onto the core of the string because the core can actually slide out of the winding when tension is applied.
And yeah, standing with these is really awkward unless you are like Blablas and can whip up some creative little modification off the top of your head.
All in all, these do have their quirks (I have always loved the tight string spacing, personally) but I love them!
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Gilmourisgod wrote:
I never really "got" what a Rick is capable of until I ran it stereo a few times in my college band. We used to call it the "Piano of Doom". You get all the bottom and all the top in total a**kicking mode.