I was a repair tech at Sam Ash Music in Brooklyn, N.Y., in 1979. I saw and worked on these when they first came out. I never saw a lefty. This was the point in time, where Ibanez started making instruments on their own, no more lawsuit copies.. The early Artist guitars, the George Benson series.. great guitars. I'm sorry I didn't order one of the MC 924's, but I distinctly remember why I didn't. These basses were quite innovative. They had a three band pre-amp, battery box, and steel reinforcing rods in the neck. All pretty mainstream stuff now. These were two things right off the bat. Yes, they were heavy. They had killer tone, but they were VERY noisy basses. The single coils really picked up a lot of RF. Later versions with the humbuckers addressed that issue, but didn't sound as good, to me. The big reason why I didn't get one, was that they really were pretty difficult to set up well. The neck itself, the steel rods, truss rod, and string tension, were four forces all fighting for territory! I set up many of them, and always had to find that compromise in relief and action height.. like any other bass, but these MC 924's always were just a bit more troublesome. If I were more financially able, I'd probably buy it. Just to have and use on occasion.
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