Yeah, welcome to LeftyBassist from me, too.
Is that something to shy away from? Sadly..yeah, it probably is. In this situation,
caveat emptor and "you get what you pay for" are the rules to be guided by. I'd count on having to do some (maybe a lot) of work to make that one playable; and there's a good chance that some hardware will need to be replaced, too. Cheesy hardware and electronics, and little/no quality control are where all the cost savings are, in those instruments. OK if you want a project, and know what you're getting into up front. I have a Beatle Bass clone like that. However...
Do you want a short scale bass simply because you have small hands, and think that's what you need? Or, is it that what you're looking for is a narrower neck, width-wise, and maybe one that's also fairly thin, top to bottom? Hate to tell ya, but being a short scale is no guarantee of getting that. About all it does guarantee is an easier reach up toward the head stock, and troubles with alternate tunings. Some short scale basses have wide, chunky necks. And, some long scale basses have thin, skinny necks. I own several of them, in fact.
For thin necked short scales - lefty ones that I'm familiar with? Hofners or Hofner clones; Danelectro Longhorn; and, most vintage Japanese basses from the '70s. My new Eastwood Flying-V has a pretty thin neck, top to bottom; not particularly wide either. The headless aluminum neck on my vintage Kramer Duke is nice, too. But, all of those are going to be more expensive than that one, although, in the case of the Dano and Hofner clones, not a lot more...
For long scales? Ibanez is famous for their thin, skinny necks. Fender Jazz necks are pretty nice, too. The necks on my Danelectro DC59's are thin and fairly narrow; my favorites, in fact. Rickenbacker's run in batches of thin or thick necks, depending on the year; both of mine are thin, skinny ones. Not going to get a Rick for that price, though... Gibson T-Bird necks are very nice, too, but, again... not at that price...
I'm sure there are others, both long and short scale; but these are what I'm familiar with. I'm sure others here will have recommendations, too. This whole subject is discussed pretty frequently over on TalkBass.com; not usually from a lefty's perspective, though. Still, might be worth a look... Personally, I would try to play as many basses as I could - even if you have to play a righty upside down, you'll get a feel for the neck - and see what makes your fretting hand happy...