pjmuck wrote:
I went to the Cherry Blossom Festival in Branch Brook Park/Newark this past weekend (Go ahead and snicker, but when you're married with kids you get roped into this stuff and actually come to appreciate it...eventually). There was a Japanese jazz band playing in the tent, with 1 drummer, 1 keyboardist, saxophone, and a guy playing an acoustic Takamine. Long story short, he was practically inaudible even plugged in.
I'd love to get one just for noodling around at home and recording, but I'd never make one my #1. Most I've heard, with rare exception, just don't have enough thump or bottom even when plugged in.
I feel you there PJ. Being married with kids will get you roped into such "events". Never thought I would be living in the burbs for example, then I got married and got myself a kid, and next thing I know, I am living way out there.
Also, it's unfortunate about the Takamine. The Takamine bass at Adirondack
http://www.adirondackguitar.com/lefty/t ... s/bass.htm had caught my attention so that I could start to play with the acoustic set at church, which is a plugged in acoustic guitar, myself on acoustic bass plugged, and a jimbae (like a conga). I am going to Houston in a couple of months for a wedding and hoping to visit Southpaw Guitars to try out some acoustic basses, and electrics while I am at it. I still might get the Takamine for noodling at home, or at small group bible studies with on acoustics, but all that I hear makes me feel like its not worth it.