thumbslam wrote:
The one shaped like a shoe is enough to make me throw up a little in my mouth and the rest scream 80's metal. Dunno why it is that way but I can't get over it.
I laughed out loud so hard at this. No offense to owners of those newer Carvins (I have an older pointy head banger headstock) but they do look exactly like you described and I still scratch my head almost to the bleeding point as to how this came about. It's almost as if they consulted with the SX guys on head stock design. Ok here we have a shoe, as Joe S described it and here we have a large cutting tool look. Oy ve.
I agree on the Carvin playability though. On a whim I bought a lefty neck-through 4 passive with the pointed 80's metal headstock and dagnabbit if that thing didn't shock the hell out of me in action, consistency and build quality. Even my luthier commented favorably on it. Of course we had to route and toss some G&L MFD's in there for fun but it is one serious player.
The Warmoth basses are also a great idea. I am on my 3rd and really enjoy them. If you get the necks set up right and a good level and polish if not already done right, they can be amazing players. The options for pickups are almost endless as well which adds to the fun.
Here's a question, is Valenti still doing basses ? He seemed to build some quality basses I believe originally from Warmoth parts if I am not mistaken.