fivebass52 wrote:
What impressed me the most was the recording of a different vocal note, and then the sliders could be pulled up and down to create various chords. That is a very cool trick! All back in the day when parts were looped and spliced, not deleted and punched in like today with Pro Tools etc. Not that that's bad thing...
My sentiments exactly. This could be accomplished now in a fraction of the time it took then (i.e. sample vocal line, assign to master controller sliders or keys), but I can guarantee it wouldn't sound the same and who would come up with this ingenuity today? Likewise the acid trip merry go round parts in The Beatles, "For the Benefit of Mr. Kite." They cut up pieces of audio, threw them up in the air, gathered them up randomly and spliced them back together. All this stuff took an incredible amount of time, but I can't help thinking the creative process was much more fun, rewarding, (certainly more tactile) and organic.
Frenchy, there's a famous story about the recording of that Sex Pistols album and an altercation with Queen, who were recording in a studio down the hall. The 2 bands "bumped" into one another in the hallway and Sid Vicious got in Freddie Mercury's face. Freddie grabbed him and threw him against the wall and that was that. Leotards and ballet slippers, aside, Freddie took no crap from anyone.