LeftyBassist.com

It's a long shot, but if anybody happens to have any of these 5-strings for sale, or other basses with these specs:

-Roscoe SKB or Century
-Any Zon
-StingRay 5
-Mike Lull
-Pedulla (with 17 mm spacing)
-Ken Smith
-Carvin (BB preferred)
-Any other ideas?


General specs for those or other brands:

-Most importantly, it must be lightweight, at or under 9 lb.
-17 or 18 mm string spacing at the bridge.
-Either 34" or 35", that's not important, as long as they have a long upper horn that meets the body around the 12th fret (for example, no Warwicks or Spectors. . . )
-I prefer American-made basses.

Smiths and StingRays are virtually impossible to find at under 9 lb, but if they are close enough. . .

Thanks.

I'm no longer looking for a 5-string, FYI, if anybody reads this. Thanks.

So, what did you get?

I'm just tired of moving back and forth from 4- to 5-strings (my own mental issues) so I sold my beloved Carvin B5 and I'm selling my Warwick FNA. No more 5-strings at home. Even though I've been playing 5-string for 14 years, if I must choose one, it'd be a 4-string. I've been sampling diffent basses for way to long, and it's time I concentrate more on music, you know, studying or composing more than browsing online stores, forums, and eBay.

So, I'm sticking to 4-string, Fender-type basses: Js and Ps, I need nothing more. I got a Carvin SB4001 on order, and I might have room for one more Jazz bass, and I'm hoping I will stop buying and selling for awhile.

That's the short answer. . . Now, for the long answer. . . .

Here's my short answer:

Exactly! That's exactly what I'm doing on all my basses. I've been manually dropping the E for many year when I play 4s (it's about time I get a proper Hipshot). It ain't quite the same as having a low B, but it'll do. . .

I am totally with ya on this! Not to dismiss any other great instruments but those classic basses seem to work in so many different contexts while being so reliable it makes your life easier. You can just focus on the music as you said.

I am a big Brian Eno fan. I learned from him how minimalism and self-limitation enhance your creativity. When I got into using Cubase 20 yrs ago, it took me a long time before make some interesting music again. In the begining, I was sucked up into and obscessed with all this technology. I could not produce anything interesting for years.

The hipshot is great option but sometimes I just tune DGCF.

I guess I have to amend this thread. I fell off the wagon, and I'm back on 5-strings . . .

So, if anybody has a Lakland 55-94 or a Mike Lull laying around getting no love, I'm interested.

Hey there, here's my ad:

1 year old, mostly in case.

Deep Night Burst Quilt over Flame Maple Gloss finish + 5-PIECE Maple/ Mahogany neck. Rosewood Fretboard.

The SWEET thing about Broomberg's design, IS the way the BASS BALANCES on you thigh, PERFECTLY!

THIS Carvin-Kissel is mint / NEW condition, less than 10 hours use on strings & frets . .
Currently bottom string is tuned down to an "A" with a custom ordered, slightly FATTER string.

Kiesel "Radium" Humbucker Bridge pickup + Radium Single coil at the neck.

4 local neuro-surgeons refuse to operate on my back & neck . .
Sadly, I'm selling off most / all of my gear,
I simply can't play anymore, EVEN on the couch.

Hard-shell case included,

I can't add a pic, mine are too large, this Mint/NEW bass can be found on Sweetwater, Reverb and C=list ads in / around the Cincinnati / Nashville areas & surrounding cities.
-Joe 513-250-0621